AVAILABLE WORK

THE DRIFTERS

Untitled 3 2015, graphite on paper, 36 x 48 cm

Untitled 7 2015, graphite on paper, 36 x 48 cm

Untitled 12 2015, graphite on paper, 36 x 48 cm

HOW IS IT THAT YOU COME TO BE HERE?

The Road (Five Easy Pieces) 2010, oil on wood, 60.5 x 120.5 cm
Painted from a still of the movie Five Easy Pieces.

The Discovery of Love 2010, oil on wood, 40 x 80.5 cm
Painted from a still of the movie My Life As A Dog.

The discovery of force 2010, oil on wood, 40 x 80.5 cm
Painted from a still of the movie Stand By Me.

The discovery of chaos 2010, oil on wood, 40 x 80.5 cm
Painted from a still of the movie Angelheart.

The discovery of fantasy 2010, oil on wood, 40 x 80.5 cm
Painted from a still of the movie A Series of Unfortunate Events.

The discovery of horror 2010, oil on wood, 40 x 80.5 cm
Painted from a still of the movie Apocalypse Now.

The discovery of regeneration 2010, oil on wood, 40 x 80.5 cm
Painted from a still of the movie Children of Men.

LAND MARKS

Land marks 1858 [43˚05′ 51.10″ N  0˚03′ 30.62″ W] 2009, oil on canvas, 122 x 183 cm
Painted from archival photo of building site of Lourdes Cathedral.

Land marks 2004 [25˚11′ 49.81″ N  55˚16′ 26.78″ E] 2009, oil on canvas, 122 x 183 cm
Painted from archival photo of building site of Burj Tower by Adrian Smith – Skidmore, Owings & Merrill.

Land marks 1959 [33˚51′ 25.73″ S  151˚12′ 53.90″ E] 2009, oil on canvas, 122 x 183 cm
Painted from archival photo of building site of Sydney Opera House by Jørn Utzon.

Land marks 1998 [49˚53′ 06.88″ N  8˚39′ 22.12″ E] 2009, oil on canvas, 122 x 183 cm
Painted from archival photo of building site of Waldspirale by Friedensreich Hundertwasser.

Land marks 2001 [46˚47′ 15.22″ N  6˚38′ 50.31″ E] 2009, oil on canvas, 122 x 183 cm
Painted from archival photo of building site of Blur Building by Diller Scofidio + Renfro.

HOVER

“… like a future that takes shape as present, hardens little by little, enters into its everyday form.” 2004
oil and acrylic gesso on linen, 102 x 41 cm

“We heard a cacophany inside. None of us knew what to expect. We entered with trepidation and a touch of fascination. We weren’t prepared for what we saw.” 2004
oil and acrylic gesso on linen, 102 x 41 cm

“… notion of continuous territory, a room next door …” “Of course the tickling still remains, almost a kind of bittersweet cramp …” 2004
oil and acrylic gesso on linen, 102 x 41 cm

“Far away and near, at the same time, changing with the spinning of the night.” 2004
oil and acrylic gesso on linen, 102 x 41 cm

BLUR 4

Blur 4, no. 1-6 2002, 6 Lamda prints, 660 x 80 cm

Blur 4, no. 7-12 2002, 6 Lamda prints, 660 x 80 cm

Blur 4, no. 13 & 18 2002, 2 Lamda prints, 240 x 80 cm

Blur 4, no. 14 2002, Lamda print, 120 x 80 cm

Blur 4, no. 16 2002, Lamda print, 120 x 80 cm

BLUR 3

Blur 3, no. 11 2001, C-type print, 110 x 76cm

Blur 3, no. 10 2001, C-type print, 110 x 76cm

Blur 3, no. 4 2001, C-type print, 110 x 76cm

BLUR 2

Blur 2 no.5 2001, C-type print, 110 x 76cm

Blur 2 no.3 2001, C-type print, 110 x 76cm

Blur 2 no.8 2001, C-type print, 110 x 76cm

FLUX

Hence-forward we will walk split into myriad fragments. 1998, oil and acrylic gesso on wood, 190 x 60 cm

Low visibility accompanied by gales of laughter. No new stars on the horizon. 1998, oil and acrylic gesso on wood, 190 x 60 cm

I wore a velvet suit because velvet was the order of the day. 1998, oil and acrylic gesso on wood, 190 x 60 cm

To go mad you must have a terrific accumulation of sanities. 1998, oil and acrylic gesso on wood, 190 x 60 cm

The night too grows like an electric plant, shooting white-hot buds into velvet black space. 1998, oil and acrylic gesso on wood, 190 x 60 cm

TIME AFTER TIME

Time after time (green) 1994, oil and acrylic gesso on linen, 122 x 92cm

Time after time (self) 1994, oil and acrylic gesso on wood, 122 cm tondo

TIMEWISE

Timewise 1992, oil and acrylic gesso on 12 panels, 3.6 x 5.4 metres

Cityscape 1992, graphite on rag paper, 61 x 183 cm